هو واحد من أجل التاريخ تاريخ السود في مسرحية أمريكا لسوزان لوري باركس

Bahun-Radunović, S. (2022 ) “History in Postmodern Theater: Heiner MÜLLer, Caryl Churchill, And Suzan-Lori Parks.” In Comparative Literature Studies, 45(4), 446–470, (2008). URL: : http://www.jstor.org/stable/25659684. Retrieved Nov. 22nd.

Beaulieu, Elizabeth Ann. (2006). Writing African American Women: An Encyclopedia of Literature by and about Women of Color. Vol.1. London: Greenwood P.

Brown, Wesley. (2020). “Introduction to Suzan-Lori Parks.” In The Methuen Drama Anthology of American Women Playwrights: 1970–2020. (Eds.) Wesley Brown & Aimée K. Michel. London: Bloomsbury Publishing Plc.

Elam, Harry and Rayner, Alice. (1999). “Echoes from the Black w(hole): An Examination of The America Play,” In Performing America: Cultural Nationalism in American Theater. Eds. Jeffrey D. Mason and J. Ellen Gainor. Ann Arbor: University of Michigan Press.

Fillion, Real. (1998). “Foucault on History and the Self.” In Laval Théologique et Philosophique, 54,1: 143-162.

Foucault, M. (2003). “Society Must Be Defended”. In Lectures at the College of France 1975-76. (Eds.) Mauro Bertani and Alessandro Fontana. New York: Picador.

Ghasemi, Mehdi. (2014). “History Plays As/ Or Counterhistory Plays: A Study of Suzan-Lori Parks’s Major Plays”. In Marang Vol. 24.

Holder, Heidi J. (2007). “Strange Legacy: The history Plays of Suzan-Lori Parks.” In Suzan-Lori Parks: A Casebook. (Eds.) Wetmore Jr, Kevin J. and Smith-Howard, Alycia. London: Taylor & Francis e-Library.

Jiggetts, Shelby. (1996). “Interview with Suzan-Lori Parks.” Callaloo 19.2: 309-317.

Malkin, Jeanette. (1999 ) “Suzan-Lori Parks and the Empty (W)hole of Memory.” In Memory-Theater and Postmodern Drama. Ann Arbor: University of Michigan Press.

Parks, Susan Lori. (1995). “An Equation for Black People Onstage.” in The America Play and Other Works. New York: Theater Communication Group.

Parks, Susan Lori. (1995). The America Play and Other Works. 1st ed. New York: Theatre Communications Group.

Parks, Susan Lori. (1995). "Possession." In The America Play and Other Works. New York: Theatre Communications Group.

Persley, Nicole Hodges. (2010). “Sampling and Remixing: Hip Hop and Parks’s History Plays” In Suzan-Lori Parks Essays on the Plays and Other Works. (Ed.) Philip C. Kolin. London: McFarland & Company, Inc., Publishers.

Philip C. Kolin. (2010). “Preface.” In Suzan-Lori Parks: Essays on the Plays and Other Works, ed. Philip C. Kolin. London: McFarland & Company, Inc.

Ryan, Katy. (1999). “No Less Human”: Making History in Suzan-Lori Parks's The America Play.” In Journal of Dramatic Theory and Criticism, Spring.

Stevens, Andrea. (1994). “A Playwright Who Likes to Bang Works Together.” In New York Times. 6 March.

Suzan-Lori Parks, (2022) American playwright” Written by The Editors of Encyclopedia Britannica, URL: https://www.britannica.com/biography/Suzan-Lori-Parks. Retrieved 23rd Sep.

Wetmore, Jr, Kevin J. (2007). “Re-enacting: metatheatre in thuh plays of Suzan-Lori Parks.” In Suzan-Lori Parks: A Casebook. (Ed.) Kevin J. Wetmore Jr and Alycia Smith-Howard. London: Routledge.

Wetmore, Jr, Kevin J. (2007). “It’s an Oberammergau Thing: An interview with Suzan-Lori Parks.” In Suzan-Lori Parks: A Casebook. (Ed.) Kevin J. Wetmore Jr and Alycia Smith-Howard. London: Routledge.

Ynmitchell, Angel (Ed.). (2009). The Cambridge Companion to African-American Women’s Literature. New Orleans: Cambridge University Press.