La relación entre lo artístico de la poesía de Arseni Alexandrovich Tarkovski y las imágenes visuales de Andrei Tarkovski en la película El espejo.

Abstract

    This work is devoted to theoretical issues applied to the film The Mirror for the russian writer and director Tarkovsky. His work is considered a good example to study the relationship interartistic of arts in general and the visual culture of cinema in particular, where all the arts (music, painting, poetry and image) are grouped. The study includes an overview of the scenes of the film, and a structural analysis of some theoretical phenomena that show the relationship between both verbal arts (the poetic image) and visual (pictorial image - the film image), and how these arts are combined through the remedies that indicate events and references by the same ways, as ekphrasis, metaphor, synesthesia, metaimagen, etc. ... this seems to be prepare the film for the population, intensifying a certain mood or certain feelings.