The impact of the quartets Omar Khayyam in the poetic experience of the Iraqi poet Zahawi

Abstract

The universality of literature has had great effects on literary unity. In this area, the effects of Arabic and Persian reflect the development of in-kind modeling of literary and literary overlap and become a wide field of comparative studies. Khayyam is considered to be one of the greatest men of the fifth century AH and has left a great literary imprint in the world of art and literature. One of the most famous of its variants is the reference to its quartets, which seem to have conflicting views of the universe and the Creator at first sight. This duplication, which we find in the quartets of the tents has produced many studies over the ages, including those Zahawi contemporary Iraqi poet, who was affected by the tents clearly. We find this effect when the quartets of the tents express the prose and the system, and also when it regulates its quadrilateral. We find that his idea inspired much of the quartets of tents. Here is the importance of studying the comparison between them through the quartets. And their cultural influences between them and this research includes common aspects between the quartets of these poets. The most important results we have reached in this study can be summarized as follows: Al-Zahawi was influenced by his quartets of the ideas and quartets of tents. The tents look at life and the universe with a pessimistic look and call for forgetting the melancholy of the world and its depression, while also drinking alcohol and Zahawi. The Arabization of the quartets of the tents by the Zahawi and the similarity of the contents of their quartets due to the cultural context common to them as a result of the knowledge of the Arab world on the ideas of tents. Such study confirms the connection and friction of both Arabic and Persian cultures.