Conetext of Artistic Dimensions in the Ornaments of Imam Ali Holy Shrine

Abstract

    The paper is aimed to study the Conetext of artistic dimensions in the ornaments of Imam Ali Holy Shrine; the study included four chapters, the first chapter about the problem statement identified by the following questioning: What are the artistic dimensions in Conetext of Imam Ali Holy Shrines? Then the significance of the study and the need for it, and the goal came to find out the Conetext of artistic dimensions in the ornaments of Imam Ali Holy Shrines, and then the study identified the substantive, temporal and spatial boundaries, as well as the definition of terms that are related to the study. The literature review Chapter 2 included the ornaments functions and its aesthetic as well as the expression in these ornaments, the Chapter concluded of some benchmarks. As for the Third Chapter, the researcher has applied a descriptive analytical method. The population was 103 models; while sampling was %20 according to appropriate research justifications. The most outstanding search results: The Muslim artist adopted on porcelain material as it has a construction function, as well as its aesthetic dimension in order to remove the sizing and search for flatness which leads eventually to abstract. Also, the most important conclusion was: The functional dimension in the ornaments of Imam Ali Holy Shrines is supported by accurate structural machine which depends on stylistic shaping of the elements and principles that achieve aesthetic or structural purpose. The researcher offered some important recommendations and proposals such as: Studying of structural design system of Islamic ornaments in the Holy Shrines.