The Stylistics of the Rhythmic Formation in the Lamentation Poem in the Poetry of Rushdi the AL-Amel
DOI:
https://doi.org/10.36473/ujhss.v62i1.2016Keywords:
Stylistic composition, AL-amel, Lamentation poem, Rhythm, RepetitionAbstract
The research deals with the method of rhythmic formation in the poem of lamentation for one of the contemporary Iraqi poets, as he subjected that Stylistics through the study of the internal rhythm and the external rhythm, and since the poetry of (Rushdi Al-Amel) is more general than it is an activation poetry, so the rhythmic structure varies in it, and this leads to the contrast of the rhythmic stylistic visions. From here it can be said: The studies that dealt with Rushdie’s working poetry, especially the poems of lamentation, did not give the poet his right in terms of study, that is, there is no holistic analysis of this type of poems (a recent critical study), and the importance of this study lies in highlighting the impact of the rhythmic formation stylistics In the poems of lamentation in the poetry of Rushdi al-Amil, with the clarification of the tender emotion that is manifested in the poet as he laments family and friends, and the aim of the study revealed the levels of polymorphic repetition, and the clear presence of the techniques of contrast and spin, as well as the diversity of the weights of the poetic seas in the passages of one poem, including , (the repetition, the light, the repetition and the convergent And fast and sand.
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